Nick Parsons Project

Why I Love Country Music

*this is a repost from a previous blog to consolidate - original post date - 11/12/09*

 

This is an opinion, formed after many years of listening to music. So don’t get all upset if you disagree.

____________________

It’s easy to dismiss country music. People have for years. The stereotypes abound, partially in fact, because no one bothers to correct them.  When most people think of country music, they envision songs about trucks, dogs, ex-wives, drinking, trains, prison and guns. And in a small way, some of country music can be described as that, but that’s a far cry from most of country that is being produced in Nashville today.

Let me start by saying what I hate about typical pop music. Its fake. Its a front. It exists for one of two reasons: to make alot of money or to make the artist look really good. That’s the goal. The heart in it is mostly gone. People sellout their music to anyone and everyone to make money or to further their name. Most artists are in it for the wrong reasons. There was once a time when an artist was an artist because they believed so strongly that what they had to say NEEDED to be said. True artists never get into the game because there’s so much money to be made, or because they are so insecure that they need fans to make them feel better. A true artist is in it because they love what they are doing. They can’t picture themselves doing anything else. They aren’t God’s gift to the world. Their burden of music is so heavy that the only relief is offering it to their fans.

SONGS

I can hardly listen to mainstream pop music anymore. Its soul-less. The lyrics exist to glorify the singer, the melodies are written on a computer, and most of them are played by a computer. The song doesn’t live to relay a deeper meaning, to improve one’s life, or even to stir up a feeling. It exists to make people move. Because that is what we’ve narrowed music down to – does it make me dance or not? There’s no in between? There’s no simply enjoying music, relating to lyrics? With the exception of out-of-mainstream indie music, when was the last time you sat and RELATED to everything a song said? Probably been a while. The songs aren’t written for you. They’re not written to make you feel the way the artist feels. They’re written because thats what will sell records and get airplay. How far we’ve fallen.

Country songs have depth. They have heart. They tell stories and drive home feelings. They relay messages – positive, negative, warnings, truths – something. They grab you emotionally. They pull you back into a time in your life, or give you hope for a future time. They make you long for something, or miss something. They connect.  Sure, some of them make you want to dance, but some make you want to cry. Very few are written solely for airplay – which is why their are so many popular country acts that DON’T get alot of airplay. Sure, there’s some poppy cross-over acts on country radio – but they won’t go far in the business because they lack the heart of true country. Country music connects with its fans.

CONCERTS

People who have never been to a country concert probably don’t realize what they’re like. They probably get the picture of a bunch of southerners wearing big hats, fancy shirts and boots bouncing back and forth to the music. Not so. Country concerts are as much of a party as any other kind of concert – but they lack the sheer ridiculous behavior that has become the norm in so many mainstream concerts today. Country concerts are all about a bunch of people coming together to listen to music they love. To drink, and dance, and have fun. They’re not all about how you look when you show up, or how many people you can beat down in a mosh pit. They’re not about how close you can grind up on someone you’ve never met, or how much weed you can smoke before security shows up (although some avid country fans and artists regularly exercise their right to “go green”). Country fans SING at concerts – they sing every word. Not that this doesn’t ever occur at other concerts, but it ALWAYS happens at country shows. Country shows are an excellent example of FANS loving MUSIC. And all the partying that happens happens because of the music.

ARTISTS

Pop artists are full of drama. You read about their lives in the tabloids, you watch their issues on TMZ and E!. They even get in the news on a regular basis. Someone is always beating their boyfriend/girlfriend, getting caught with cocaine, drunk driving, overdosing at a concert, carrying an illegal weapon, or suing an ex. It seems that mainstream media’s only way of marketing their artists is to create drama – because apparently their fans live and thrive on drama. They need reality TV shows, clothing lines, accessory lines and the like to truly enjoy their artist of choice. Its all about materialism. So many mainstream pop artists carry a superiority complex. They have to be wearing the most expensive clothing out there. They drive the biggest and best car, have the most glamorous rings, sunglasses etc, and live in mansions high in the Hollywood Hills. They are above their fans, and they’ve trained their fans that the only way to achieve greatness is to strive to be just like the artist. This has inspired a whole generation (or two) of teenagers to dress like, talk like, walk like and live like their favorite artist. That’s where the whole gangster rap scene started – a bunch of  street kids who decided that rapping about hoes, cars, booze, drugs and sex was the ultimate in achievement. The clothing style came next – then the love of Escalades with huge spinners, giant chains, etc. What does it all accomplish? Nothing.  In my opinion, you all look like complete IDIOTS. Get a job.

Country artists are down to earth. They appreciate their fans. They don’t show up at award shows drunk, jumping up on stage, cussing and yelling how great their albums are. They cry when they’re nominated by fans – blown away that people would love their music that much. They’re humble. They’re proud of their music, but they maintain a level head, knowing that they might not always be on top. They constantly strive to give their fans more. A bigger show, a better album, more exposure as an incentive for being a fan. They drive around in golf carts before concerts and meet the people tailgating in the parking lots. They share a beer with them. They do work for charities – and not just for the recognition. They focus on their own families and make them priorities. Very seldom do you ever hear of scandals erupting with country artists. Seldom are they arrested, or caught with drugs, parading drunk or fighting in public. They don’t talk trash on each other, but instead appreciate each other’s music. When one wins an award, they are genuinely happy for them – not pissed, or faking a smile, but overjoyed and proud that they can be part of this type of industry. When a record label tries to push them around, they push back, knowing that their fans will back their decision to keep doing what they do. Country artists are real people, who, for the most part, have their priorities straight, and are striving everyday to improve the product they give their fans. It’s not hype – its who they are, famous or not. Country artist embrace their fellow laborers. They allow new artists into their fold. When certain artist in the pop scene are no longer “hip” enough to stay on top, and they want to keep making real music, many times they migrate to country. Not because “anyone can do country,” but because they know that they won’t be judged as long as they keep making real music. Darius Rucker is a great example. I don’t even care for his music, nor do I think he’s very country, but the pop scene passed him up, so he went back to his roots and jump started his career again where he knew people would appreciate him. Country accepts people for who they are.

MUSICIANS

A common misconception is that anyone can play country music. People believe its 4 chords, a cheesy melody and a shallow subject. What people who don’t give it a chance don’t understand is that country artists are constantly ranked as some of the most skilled musicians in the world. Stereotypes abound, but if you actually sit down with a few records you’ll quickly realize that all of these stereotypes are wrong.

Much of pop music today is written electronically. It can be sang to a backing track of electric drums, keyboards and a synth bass. Auto-tune is applied to coverup weak vocals, and then piled on to add “effects”. Much of pop focuses on the lead singer or artist, and no emphasis is given to the band (indie rock, brit rock, and others take exception of course). No one cares the caliber of musicians that play because they are pre-recorded anyway. Musicians are the sideshow that no one really pays much mind too. Not so with country.

Country music is FOR musicians. It has some of the hottest guitar players, the tightest drummers, the most solid bass players and the fastest fiddle players. Country musicians are versatile. They can play all styles, but choose country because it allows them to live and expand as a musician. The focus is on the music as a whole, and all the parts that go into it. They aren’t hidden so that the main act can be shown off. (With the exception of Kid Rock who takes 20 minutes out of his show to somehow prove that he’s a better musician than every one of his band members. Still don’t get why he’s considered country….but I digress). Country musicians, LOVE playing country, because its NOT simple. It’s creative and difficult and fun. It gives musicians a chance to showoff. The can’t hide behind the persona of a band, allowing the whole to cover their shottily-played parts (ok, now I am singling out indie and brit rock). They always stand out, and as such, they HAVE to play perfectly. I challenge you to find musicians better than country players. I’ll put any one of them up against mainstream musicians – guaranteed.

STYLE

Many people find it hard to relate to country music because of its style. People in big cities or suburban areas like Orange County probably were not raised on country music, nor were they raised where there are dirt roads, small town football games, drinking on the river, etc. Its completely understandable why the “lifestyle” of country music might be slightly off-putting. You can’t relate – I get it. They wear funny hats. Well, at least you know that they have ALWAYS worn that hat, and that its not some costume for a special event. That’s their style thru and thru.

As someone who was raised in California, but has strong family ties to the mid-west and south, I’ve been torn my whole life between the supposedly country lifestyle that I love and the style that all my friends subscribe to. The difference is, I’ve chosen to dive into this style because I see tremendous value in it. Would I rather my kids (or myself for that reason) walk around singing about “that bitch’s ass” or singing about being proud of our troops? Would I rather spend my money on a record glorifying partying and promiscuous nightlife, or a record that talks about working hard, earning a living and loving my family. The country style to me stems from the values inherent in it. Country music is a lifestyle just as much as its a genre. I’m not talking about clothes or trucks, but where you place value, how you spend your time and what you strive for. Name me one song in mainstream music (pop, rock, rap or otherwise) that talk about being a good man and honoring your word. How about loving your wife? Heck, even drinking with your buddies after work? (and I don’t mean sipping cognac hoping to get drunk enough so that the girl will let you “slap dat ass”). The lifestyle that a love of country music creates is genuine, fair, even wholesome in some aspects. Sure, there’s some rocking country out there that talks about pounding Jack and dancing on the roof of trucks with the cops pulling up. Or beating someone’s ass who talks bad about my Country.  But I would 10 to 1 rather rock that then 3/4 of the crap I hear on the radio these days. I make a conscious effort to subscribe to a simpler lifestyle, which is why I listen to country music. Because it encourages me in the values that I already hold dear. Now, I know that might even sound prudish, so I’ll add this – alot of the country music I listen to just plain rocks. Screaming guitars, killer vocals, and subjects that make me excited. Its not that its prude in any way, its just the base of the music is down-home values. Some of my favorite artists have hit tunes that talk about hot women, drinking whiskey, big trucks and fighting. And sure,  rocking that music makes me feel badass every now and then. But I can just as easily kick on a Brad Paisley song that talks about walking with my Grandad in Heaven, and start I’ll tearing up. Why? Because I relate to both. The style of country is defined by the people who write the music, and its as broad as it is deep. I like honkey-tonk outlaw music – Waylon Jennings, George Jones, Merle Haggard, which is very much classic country. Other people I know only like poppier country – Rascal Flatts, Keith Urban, Taylor Swift. Two COMPLETELY different styles of country, but still country music.

FINAL THOUGHTS

There really is something for everyone in country. The dangers of the country music stereotype is that people don’t give it a chance because they assume its all the same. Nothing could be further from the truth. There’s country out there that rocks harder than some of todays hardest pop artists, and there’s country that’s so pretty and powerful it could almost be used in a church service. The differences are why I’m addicted to it. Because I never have to change genres to change moods. It’s quality music, by quality musicians singing on topics that I love, can relate to, or can strive to. Country music may not be for everyone, but I would venture that if you honestly give it a try, you’d find something out there that you could enjoy.

 

Filed under: opinions

American Saturday Night

*this review is a repost in order to consolidate. Original posting - 7/31/09*

 

It’s no secret that I believe country music is one of the greatest forms of music in the world. Now, you may disagree, and you’re free to, but I firmly hold to the fact that it is one of the last genuine types of music out there. So much in this world is over-produced. Pop-sensations come and go, existing only to make a fast million for some men in suits, and then fade into the history of has-beens. Hip-hop, which used to be full of real talent whether you liked the genre or not, has become trash. Absolute shit. And such a fascade! The musical aspect doesn’t even exist. Again, disagree, but I believe its a bunch of winey-ass people who think that the way to improve their situation is to act like its better than it is. So they sing about money, they sing about hookers, they sing about drugs, expensive alcohol, and all the sex they can fit into one night. But at the end of the day, while they’re sitting back in their ridiculous outfit, driving a car full of women who would leave them in a second if they had none of this crap, they need to know that the real musicians are laughing at them. They mock them. They disdain them, because they’re trying to destroy the art of music, and in doing so, they lead an entire generation into believing that music exists for the monetary betterment of those who create it.

End of soapbox.

That being said, its refreshing to encounter an album from a REAL musician. Scratch that, a real ARTIST. Musicians are a dime a dozen, and that’s not negative – just true. An artist does it all. They write, they create, they perform, they record – they’re the whole package. In my book, there’s few higher artists than Brad Paisley.

Paisley hits an important mark in this new album, American Saturday Night. His run of insanely killer records was stopped slightly short with the relase of “Play: the Guitar Album”. Now, the album wasn’t bad, but it was promoted entirely wrong – and I blame that on Arista Records. They billed the release as a regular album, that everyone would buy. However, it held little interest to anyone but musicians and Paisley fanatics. The attempt to popularize it by putting the original release of “Start a Band” on it was a poor choice. People bought the single on iTunes and ignored the rest of the album. The record was obviously a pet-project and a dream by Paisley, which is admirable – but the lack of sales seem to be the reason he jumped right back into the studio for the next one. I don’t think it was ever anticipated to be a large-scale sell, but poor promotion adds insult to injury.

Thus, American Saturday Night pulls Pailsey out of the record-company induced slump he endured in his last album. The record is thoughtful, more creative, not as rocky, but still holds its own. Its obvious that the large majority of the album was inspired by the pending birth of Paisley’s son. Songs include references to meeting his wife, hopes for his newborn, dreams for the future and how quickly time flies. Its refreshing to be able to tell where an artist is in life based on their work. This record is transparent.

A few awkward cuts call back references to Paisley’s dating career, but his superior musicianship allows the not-so-country vibes of tunes like “Everybody’s Here” to still fit in the record – albeit, the placement as the second tune in my humble opinion was horribly thought-out. Its a unnecessary slump in an otherwise brilliant run of songs.

Paisley’s signature comedic country cuts through cleanly on tracks like “Catch All the Fish,” which talks about a fishing trip with no set return time  in sight, and “The Pants”, which jokes about the male-cliche of “wearing the pants.” Although the album as a whole seems slower than previous releases, it doesn’t disappoint, introducing a fresh side of Brad that we’ve haven’t seen before.

Paisley is a class-act, and a brilliant performer, drawing on all the tools in a well-rounded musician’s arsenal. He’s a guitar virtuoso, a gear-head, a recording genius, and a producer with the best of them. His thorough understanding of today’s networking also makes him a valuable business commodity as he understands his fans in ways that many artists don’t. He twitters. He youtubes. He facebooks – well, Arista does for him, but either way, he’s present and accessible, at least in cyber-space. And that’s what you want. Combine that with one of the most exiting, audience and technology-driven shows in the country market, and you have a powerful force that will be on the country scene for a good, long time. American Saturday Night is a solid release, and possibly a hint of the creativity we will see come from Paisley in the next leg of his career.

Album grade: A-

Filed under: music reviews

Toes

*this review has been reposted from an earlier blog to consolidate - original posting 8/1/2009* 

 

I’ll admit it, I didn’t like the Zac Brown Band when I first heard them. “Chicken Fried” rubbed me wrong. The idea of writing a song about thanking our troops for the ability to eat fried chicken and wear blue jeans just seemed weak to me. After hearing it overplayed on the radio 1000 times a day though, I did start to admit it was catchy. I then saw them perform at Stagecoach 2009 and I realized why they were catchy – they were a country jam band, and that I liked. Great muscians and entertaining to boot!

Then, from their most recent album, “Whatever It Is” and “Toes” began to get airplay. These tunes I loved right off the bat. So I purchased the album. THAT is how its supposed to be. Convince me why I need your music. I’m not going to love it all, but convince me to give you a chance and I’ll spend my $12 on you.  The rest of the album is surprising good. A hidden gem is the song “Jolene,” of Ray LaMontagne fame – already a killer tune the way Ray did it, yet the ZBB does a convincing cover, partly due to the insanely smooth voice of Zac Brown.

Let them grow on you. If you haven’t given the Zac Brown Band the time of day, check out the tunes. Pandora them. Slacker them. However you listen to music, put some time in – they’re worth it.

Filed under: music reviews

Pandora vs. Slacker

There’s a debate that rages among internet radio users involving the infamous Pandora and the up and coming Slacker radio. Both work in similar ways – you build a station around an artist, song, or genre. The station gets smarter as you mark the songs you like and dislike. Eventually, the station should be a tailor fit to what you want. Both have free versions, and app’s for use on computers, blackberry’s, iphones and the like. I’ve decided to weigh in as I’ve spent an enormous amount of time with both:

PANDORA

The go to. It’s easy to use, and seems smarter off the bat. The free version allows for 40 hours of streaming a month, 6 song skips during any given hour of listening and 100 station builds. If you need more than that, you’re obsessive. Pandora is more no-brainer. Set a station, and you’ll probably be able to listen for 5 hours skipping only occasionally. It seems that the team who analyzes the tunes is VERY specific, so you’ll get more of what you want. This can be good, but also keeps your listening slightly stale as the feel of the music rotates very little (and when it occasionally does mix it up, watch out – your Journey station might host Papa Roach for a few minutes!). I recommend Pandora to anyone who doesn’t want to work hard for good music. Watch your listening limit however, because you can hit that 40 hour mark before you think! An upgrade is available for $36 a year that will eliminate ads (Pandora has fewer and less frequent ads than Slacker), gives you slightly higher quality music, and unlimited skips. The interface is extremely easy to use.

SLACKER

Slacker requires more attention, but rewards you for it. It’s basically free Satellite radio. The user interface can be overwhelming and confusing – especially on the web. The phone apps clean themselves up a bit, but they’re still a bit bulky. The songs have a much wider range of genre and style at first. The more you “favorite” people and “ban” people, the more fine tuned the station will become. Slacker also has a large library of suggested lists that people have built, many of which seem fairly tuned. As mentioned above, the ads are more frequent and annoying that Pandora, but still not excessive. The $3.99 a month upgrade gets rid of these ads, also adding unlimited song skipping, complete song lyrics, and a desktop player app eliminating the need to launch your web browser. I can’t find a listening time limit on Slacker, and have yet to hit it if it does exist. Anyone who wants a wide range of music, and is not afraid to do the legwork will enjoy Slacker more than Pandora – just beware of the learning curve, and don’t be afraid to experiment.

I firmly believe that the internet radio market will soon overtake the purchase music market. I will save the lengthy argument for a later blog, but suffice it to say, in a world where the information cloud is becoming bigger, why would anyone not want immediate access to all of their music online, wherever they are. That’s where Spotify comes in. It’s streaming internet radio you subscibe to. And not someone else’s mix. You listen to what YOU want, when you want it, wherever you are. Why would I buy CD’s, or iTunes songs for that matter, if I could listen to them online unlimited? Wouldn’t you easily subscribe to this if it meant you never needed to buy another album? You don’t own the music you buy anyway- its a license to listen to it. So why not have EVERY SONG EVER available to you at a moment’s notice via the web? Google has figured out the cloud theology, and have began to release it to the world – first with gmail, then google docs, now google voice. It’s up and coming and not going away. Spotify is still limited to only Europe, but when they finally get around America’s absurd copyright laws, WATCH OUT! It’s going to change the way music is done. Right now, we’ll have to live with Slacker, but its a start, and thats where I’ll be. The world is fast moving to having instant access to anything they own. Their documents. Their pictures, their music, everything. Jump into the cloud. It’s nice in here.

To read more, enjoy some Bob Lefsetz:

http://lefsetz.com/wordpress/index.php/archives/2009/05/19/streaming-vs-ownership/

Filed under: opinions

Cheap Seats

I swear, most music venues (and ticket sellers for that matter) think we are idiots. They think we are the swollen masses flocking to venues because we can’t live life without seeing a band that they book/sell. Those days are long gone. That was so 80’s. Most people don’t follow bands around everywhere. If a band has a week-long residency, 99.97% of people will only see them once. Shows aren’t hyped like they used to, and unfortunately, live music isn’t either. Now, there’s still a huge following for live music, but its slowly becoming underground. People are more concerned about their pocketbook than their favorite band, and when the time comes to click submit on that ticketmaster order, people are checking their bank statements before they’re checking their calendar. That’s where the folly starts – not on the listeners part (they’re doing what they have to to make ends meet), but on the sellers part. Ticketmaster, LiveNation, StubHub and all the other places (not to mention venues themselves) get off on financially raping their customers. They don’t believe (for the most part) that people are concerned with prices, fees, or location – and they’re dead wrong. Except for a few phenomenal cases like U2, The Police, etc where people will spend their rent money on tickets, people don’t live and die by the acts anymore. They can just as easy buy their music online, or hell, torrent it for free if you have the know how and some balls (somewhere I hear geeks screaming F*** the RIAA, but I digress).

This doesn’t stop these companies though, and it won’t, until they’re flat broke. Look at Ticketmaster – high and mighty, king of the ticket world, falls on hard times, yet instead of dying and leaving us the opening for something effective, they were bought out by LiveNation. LN had an insane opportunity…turn this ship around and give the fans what they want. But no – they allowed TM to continue, charging their fees and raping their customers. Live Nation did do one thing right though – they SLIGHTLY recognized the fact that fans aren’t made of money, and occasionally they have “No-Fee Wednesdays” and “1/2 Off Shitty Acts at Lame Arenas” days.  At least they’re trying, and I’ll give them credit for that. It’s hard to love them though, when I buy tickets for 24 bucks each and they end up being 48 each after all the fees. Seriously – what the f***? Can’t they just give us the real price? Convenience charge. Ticketing fee. Location Fee. Terrace Fee. Distribution Charge. Just give me my damn ticket! It doesn’t cost you $8 to print the thing, or mail it, or do anything else with it. That’s why Ticketfast took off. People would rather keep track of their own tickets and not pay the bullshit fees for nothing.

I’ve been behind the scenes of these places. You know what they do with those fees? Nothing. Absolutely nothing. They go in the same bucket that pays out their employees, their wait staff, their cleaning crews and their IATSE crews. Its just a way to break up the charges so you feel like the ticket prices are lower. They think we’re idiots, and we’re allowing it – by paying them! One of the most sensible inventions in modern day ticketing is the 4 pack lawn seats. The venues that have lawn seating occasionally sell 4 packs at a discounted price to encourage more buyers. And it works – WELL. Lawn hosting venues realize that their lawn seats aren’t worth as much, but they also realize something else – the lawn is where the party is. Its where the drink sales go, the nacho sales go, and even the last minute drunken purchase of merch goes. That’s the real money makers. If you go to a show to relax and watch the performance, you buy a seat. If you go to party with your friends, get trashed, rock out and have one hell of a time, you buy lawn seats. It’s brilliant to support that. Not enough venues are.

Some venues (like the Pacific Amphitheater in Costa Mesa, CA) have gone the opposite way and have closed down their lawn for the last 10 years. Bad move. The shows in that arena used to sell out and rock. They hosted some of the best acts in current music….in 1994. Now days they host 80’s music has beens, with the exception of 2-3 somewhat name acts. They sell the big names out, sure, but how much more could they sell if they opened back up the lawn! The people in the community complain that the extra sound needed for lawn seating is too loud. Are you kidding me? The concerts end by 10pm – and lets face it, that arena was there long before most of these people moved in – tell them to shut the hell up! Take it to the city – the venue will win! But no, they roll over, close off the lawn, which in turn drives ticket sales down, which in turn causes them to not be able to afford big name acts, which in turn drives ticket sales down even more. What are you left with? A washed up venue with tons of potential, no marketing pizzaz, and frankly, no balls. That amphitheater is currently under negotiation for possible demolition…..all because they closed the lawn.

I’m reminded of a Bon Jovi concert I attended years ago at the Staples Center. Half way thru the set, Jon ran up onto a hidden platform 3/4 of the way up into the arena. He was 30 rows from the scaffolding, and he shouts to the crowd, “Who’s got the good seats now?” He played the rest of the show from that location. Even the acts know where the heart and soul of their fan-base is!

It could all turn around if people would just remember the cheap seats! Sell em out, by whatever means necessary. Open the lawns. Cut the ticket prices in half. Get rid of the damn fees! THAT drives people in. Fans want the experience, not the high-class listening environment. They want the speakers too loud, beer spilled in their laps, sweaty friends all around, holding their iphones up as lighters. That’s a concert – on the lawn or in the pit. But it starts by being business-savvy enough to hook the fans up with decent prices and good acts. Take the risk – it’ll bring the market back to the venue. As fans, we can only boycott over priced shows and continue to buy the music. When good deals pop up, jump on them. Your money speaks louder than your voice does. Just like the housing market, the auto industry, and wall street, this monopoly of ticket holders, arenas, and record companies will eventually fall when the fans realize they don’t need to put up with it anymore. Until then – there’s always the cheap seats.

Filed under: opinions

Someone Should Have Thought This VeggieTales Cookie Cutter Through...

 

Filed under: photos

My gifts to you:

I'll Be Home For Christmas by Sara Evans  
(download)

Do You Hear What I Hear by Carrie Underwood  
(download)

Filed under: audio

Epic AT&T Ad FAIL

What’s that AT&T? One of the number one abusers of privacy wants me to PAY them to store my stuff MONTHLY rather than buy a hard drive and always have it locally? Might be one of your worst ideas ever…

 

 

Filed under: photos

Jack in the Box FAIL

Sperm croissant? I’ll pass, thanks…

 

 

 

Filed under: photos
47
To Posterous, Love Metalab